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北京师范大学学报(社会科学版) ›› 2020, Vol. 0 ›› Issue (3): 61-71.

• 文艺新探 • 上一篇    下一篇

论宋代文学史叙事的观念、范畴及方法

陈元锋   

  1. 山东师范大学 文学院,济南 250014
  • 收稿日期:2019-11-21 发布日期:2020-12-11
  • 基金资助:
    国家社会科学基金一般项目“南宋翰林学士与文学研究”(15BZW098)。

On the Concepts,Categories and Methods of Narrative Discourse in Literature History of the Song Dynasty

CHEN Yuanfeng   

  1. School of Arts,Shandong Normal University,Jinan 250014,China
  • Received:2019-11-21 Published:2020-12-11

摘要: 宋人在对前代特别是本朝文学发展历史的理论总结和批评阐释中,逐步产生了自觉的诗歌史观并形成自成体系的文学史叙事话语。其文学史叙事主要在时序论、文脉论、文体论、典范论、派家论五个范畴内展开,同时运用以纪年区分时段、确立经典人物图谱、命名文学典范与诗家派别等言说方式,构成交错联结的文学史叙事链,搭建了宋代文学史的基本框架。其大量“互文性”的诗学文献所提出的丰富议题,为后人提供了可置身其境的历史视域和可资利用的理论资源。

关键词: 宋代, 文学史观, 文学史叙事

Abstract: In the theoretical summary and critical interpretation of the literature development history of the Song Dynasty (960 A.D.—1297 A.D.) and previous dynasties,the Song scholars gradually created a conscious view of poetry history and formed a self-contained narrative discourse of literary history,which is mainly carried out in five categories:chronology theory,literary venation theory,literary genres theory,paradigm theory and faction theory.By combining the expression methods such as distinguishing time periods by years,establishing the atlas of classic characters,and naming literary models and poetic schools,they formed a cross connected literary history narrative chain and built the basic framework of the literary history of the Song Dynasty.Abundant topics for discussion embedded in a large number of intertextual documents on poetics provide future scholars with an immersive historical horizon and original theoretical resources.

Key words: the Song Dynasty, view of literary history, narrative discourse of literary history

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