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北京师范大学学报(社会科学版) ›› 2019, Vol. 0 ›› Issue (6): 121-129.

• 哲学反思 • 上一篇    下一篇

对“过程”的发现与探究——设计人类学的内在转向与理论范式

陈昭   

  1. 东京大学 综合文化研究科,东京 1680082
  • 收稿日期:2019-07-15 发布日期:2020-12-10

Discovering the “Process”: Paradigm shift and approaches of design anthropology

CHEN Zhao   

  1. Graduate School of Arts and Sciences, The University of Tokyo, Tokyo 1680082, Japan
  • Received:2019-07-15 Published:2020-12-10

摘要: 设计人类学是当下设计产业发展和人类学自我审视下诞生的研究分支。缘起1990年代,于2010年代确立其学科分野的地位。研究类型可分为应用性和批判性两大类。受到21世纪以来艺术人类学和科学社会学思潮的影响,人类学视域下的设计,不再仅仅被作为物化“结果”,而是被更多地作为行为的“过程”加以探讨。“设计”,不再是某种文化含义或社会结构的固态投射,更是“文化或社会”生成过程之本身。这一由“结果”的设计转为“过程”的设计的内在转向,是设计人类学确立的根本动因。“符号学”和“ANT理论”,是现今设计人类学对“过程”之“设计”探求的两大理论范式。瞬息万变的当代社会,不断对以“文化与社会”为核心概念的结构化方法提出挑战。对“过程”之设计的探索,无疑对未来人类学的发展具有重要意义。

关键词: 设计过程, 设计人类学, ANT理论, 符号学

Abstract: The design anthropology is a crossing research field derived from the development of design industry and the self-reflectivity of anthropology, which emerged in the 1990s and became established in the 2010s as an academic paradigm. It has two major research approaches: applicative and critical. Greatly influenced by the thoughts of anthropology of arts and sociology of science and technology, design anthropology views design as an active process rather than a material outcome. Therefore, design is not only the structural projection of cultural meaning and social order, but rather the exact process of social and cultural generation. This paradigm shift from outcome to process leads to the establishment of design anthropology. Semiotic approaches and Actor-network-theory are the two main approaches to exploring the process of design. As the contemporary societies are ever-changing, the structuralized methodologies taking “culture and society” as their core conceptualizations have been confronting constant challenges. The exploration into the design of/for “process” has an indubitable significance for the future development of anthropology.

Key words: design process, design anthropology, actor-network theory, semiotic approaches

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