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北京师范大学学报(社会科学版) ›› 2023, Vol. 0 ›› Issue (3): 93-106.

• 文艺学研究 • 上一篇    下一篇

凝视维米尔的“凝视”

周宪   

  1. 南京大学 艺术学院,南京 210093
  • 出版日期:2023-05-25 发布日期:2023-06-16
  • 作者简介:周宪,文学博士,南京大学艺术学院教授。
  • 基金资助:
    国家社会科学基金艺术学重大项目“艺术学理论的跨媒介建构及其知识学研究”(20ZD26)。

Gazing at Vermeer's Gaze

ZHOU Xian   

  1. School of Arts,Nanjing University,Nanjing 210093,China
  • Online:2023-05-25 Published:2023-06-16

摘要: 维米尔是荷兰17世纪“黄金时期”的代表性艺术家,其艺术风格反映出西方艺术从古典向现代的深刻转变。维米尔聚焦于当下的日常生活的日常性,选择家人或邻里作为模特,并把自己的家作为画室,这些看似简单的现象却蕴含了复杂的现代性意义。维米尔存世的作品虽然并不多,但却以其鲜明的个性风格标志着艺术的现代嬗变,从依赖宗教、神话和历史故事的文学性叙事的古典形态,向关注视觉感知和视觉体验的深刻转变。从这个意义上说,维米尔的艺术开启了关注当下日常生活的现代风尚。

关键词: 维米尔, 荷兰绘画, 日常性, 视觉反身性, 去文学化

Abstract: Vermeer is a leading artist in the Dutch “Golden Age”(the 17th century),whose artistic style reflects the profound transformation of Western art from the classical to the modern.Vermeer focuses on the everyday life in which he lived,choosing family members or neighbors as models,and using his home as a studio.These seemingly simple phenomena contain the significance of complex modernity.Although a few works by him have survived,Vermeer's characteristic individual style marks a transmutation of art,from a classical form based on the literary narratives of religion,mythology and historical stories to the modern art emphasizing visuality and its experience.In this sense,Vermeer has initiated a modern trend of representing modern everydayness.

Key words: Vermeer, Dutch painting, everydayness, visual reflexivity, de-literary narrative

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