欢迎访问《北京师范大学学报》(社会科学版),今天是

北京师范大学学报(社会科学版) ›› 2025, Vol. 0 ›› Issue (5): 87-98.

• 文学研究 • 上一篇    下一篇

西方汉学视野里的中国美学核心观念:非写实、不规则与抽象性

代乐   

  1. 厦门大学 中文系,厦门 361005
  • 发布日期:2025-11-13
  • 作者简介:代乐,文学博士,厦门大学中文系助理教授。
  • 基金资助:
    国家社会科学基金重点项目“西方汉学中的中国山水美学研究”(23AZX014)。

Core Concepts of Chinese Aesthetics in the Context of Western Sinology:Non-Realism,Sharawadgi,and Abstraction

DAI Le   

  1. Department of Chinese Language and Literature, Xiamen University, Xiamen 361005, China
  • Published:2025-11-13

摘要: 西方汉学依托西方主流学术理论,采用实证研究的方法,从世界艺术史的共同美学规律入手,阐述中国艺术的美学问题。西方学者关注中国人物画的非个性与非写实美学特征,突出地强调了中国山水艺术的农耕美学特征及其世界意义,阐述了中国传统美学的非写实、不规则和抽象性等核心观念,揭示了中国美学思想参与建构西方艺术传统,具有重要意义。西方汉学的中国美学研究是一面他者的镜子,补充并丰富了国内学界的中国美学研究而有其独到价值。

关键词: 西方汉学, 中国美学, 核心观念

Abstract: Chinese aesthetics research in Western Sinology and Chinese aesthetics research in domestic academia,facing the same research object,presents different academic forms and theoretical styles.Western Sinology relies on mainstream Western academic theories and employs empirical research methods to elucidate aesthetic issues in Chinese art,starting from the common aesthetic principles in world art history.Western Sinologists focus on the non-personal and non-realism aesthetic features of Chinese figure painting,prominently emphasize the agricultural aesthetic characteristics of Chinese landscape art and its global significance.They elaborate on core concepts of Chinese traditional aesthetics,such as non-realism,sharawadgi,and abstraction,revealing that Chinese aesthetic thought has contributed to the formation of Western art traditions and it holds important significance within the contemporary Western aesthetic context.Research on Chinese aesthetics by Western Sinologists acts as a mirror of the Other,supplementing and enriching the understanding of Chinese aesthetics,and holds its special value.

Key words: Western Sinology, Chinese aesthetics, core concepts

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