Abstract: Agamben absorbed Aristotle's concept of “non-potentiality” into the ideological structure of his “voice ethics”,and thereby created a language device that resists signification and its another path of biopower also constitutes his unique ethical strategy.His research approach is reflected in:firstly,to search for effective strategies to get out of semantic cultural tailoring in the “infant” experiment of “losing voice”,and to prevent the violence of “hearing” by listening to “silence”.Secondly,the introduction of the category is intended to illustrate that it is ineffective to commemorate some special and important tragic historical events by means of words and incomplete memories,and the “amnesia” function inherent in language itself can make people in the “silence of sound”.“Remember” those events that are about to be forgotten.Thirdly, to use the unique concept of “missing”,which proves that some ordinary “subjects” are just accidental and temporary by exploring the real position and function of the subject in the text,however,precisely because of the randomness and temporary nature of the recording,the “silent voice” has been continuously “heard” by later generations.The fourth is to look for “silent voices” and “forgotten memories” from exemplary video methods such as nymphs,dance,and photography,so as to “implode” “sound escape lines” in the maze of word installations.

Key words: voice, memory, disappearance, image