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北京师范大学学报(社会科学版) ›› 2020, Vol. 0 ›› Issue (2): 48-59.

• 语言文字 • 上一篇    下一篇

《诗》韵四声分押与古四声系统

胡佳佳, 黄易青   

  1. 北京师范大学 文学院、民俗典籍文字研究中心,北京 100875
  • 收稿日期:2019-06-13 出版日期:2020-03-25 发布日期:2020-12-07
  • 基金资助:
    教育部人文社会科学重点研究基地重大项目“汉语词源理论及上古汉语同源词库”(11JJD740009)。

The Rhyming Pattern on Separated Tones in The Book of Songs and the Four Tones in Ancient Chinese

HU Jiajia, HUANG Yiqing   

  1. Research Center for Folklore,Classics and Chinese Characters,BNU,Beijing 100875,China
  • Received:2019-06-13 Online:2020-03-25 Published:2020-12-07

摘要: 据《诗经》用韵研究古四声,有四点需要分辨:一,《诗经》押韵有必韵句和非必韵句的区别,非必韵句对声音(本文关注声调)和谐的要求宽于必韵句,不重复的必韵句韵脚更能反映古声调情况的客观。二,《诗经》同部字相押,有的既同部又同声调,有的同部但不同声调。在符合一定韵式的规律性转换中,同部不同声调也是诗人有意识的换韵,应当视为四声分押。三,因假借、引申派生、语法音变等原因,有些字一字多个声调,根据音义相应的原则,应区别其不同意义和不同语法功能,以定其在具体诗句中的实际声调。四,《诗经》中,平、上、去、入各声,阴、阳、入各声,用韵情况很不同,了解古四声发展演变的不平衡性,各声应区别统计。根据上述四点主张,发现一些新的定例、韵式,以义辨音。在此基础上,构建了《诗经》用韵的四声数据库,从而利用计算机对全诗305篇、1133有韵之章、1696韵段、5308入韵句的用韵关系进行分析和统计。得到以下数据:4548必韵句中,通押183句,占全部必韵句的4.02%。各声通押比依次是平声2.27%,上声5.42%,去声16.71%,入声1.44%。阴、阳、入三声的通押比依次为阴声韵5.88%,阳声韵3.29%,入声韵1.44%。阳声韵中,平、上、去声的通押比依次是1.26%、15.05%、17.86%。阴声韵的去声和阳声韵的上、去声,在《诗经》时代可能处于四声系统上发展完善的晚期。

关键词: 《诗经》, 押韵, 古四声, 去声, 音义相应

Abstract: In the study of ancient tones based on the rhymes in The Book of Songs,the following four points need to be clarified.First,rhyming of the sentences in The Book of Songs can be divided into sentences to be rhymed (must-rhymed) and sentences not obliged to be rhymed (possibly-rhymed).The former requires more strict rhyming than the latter,so the situation of tones of must-rhymed sentences is more accurate to reflect the reality of ancient Chinese tones.Second,some sentences in The Book of Songs rhymed with the same final and tone,while others rhymed with the same final but different tones.Those rhymed sentences with different tones could be intentional change of rhyming by the poet to fit into some rhyming patterns,which should be considered as rhyming on separated tones.Third,a character could have several tones.Under the corresponding principle of sound and meaning,it is necessary to determine the right tone of a rhyme in poems according to its meanings or grammatical functions. Forth,in The Book of Songs,the rhyming with different tones or different codas differentiate from each other,and should be counted separately.Based on the above principles,this paper discovered some new patterns and examples of rhyming,which proves that tones can be detected according to their meanings.To analyze the rhymes of The Book of Songs,the researcher built a database including 305 poems,1133 rhymed paragraphs,1696 rhymed sections and 5308 rhymed sentences and acquired the following data by computer statistic.In 4548 must-rhymed sentences,183 sentences have different tones in a rhymed section,only 4.02%.The percentage of the mixed tones is Pingsheng 2.27%,Shangsheng 5.42%,Qusheng 16.71%,and Rusheng 1.44%.The mixed rhyming percentage of Yinsheng,Yangsheng,Rusheng is 5.88%,3.29%,and 1.44% respectively.In the Yangsheng rhyme,the mixed proportion of tones is Pingsheng 1.26%,Shangsheng 15.05%,and Qusheng 17.86%.Qusheng in Yinsheng rhymes as well as Shangsheng and Qusheng in Yangsheng rhymes in The Book of Songs may be in their later developing stage of the four-tone system in ancient Chinese.

Key words: The Book of Songs, rhyme, four tones in ancient Chinese, Qusheng (falling tone), corresponding of sound and meaning

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